Ezra Adi Nugroho (drums), Caesar Nicko Bhaskara (guitar), Gigih Yanuar Pratama (guitar), Rachmad Adi Cahyo Nugroho (bass), and Shafa Ashfihany Hari Syahputra (vocals) are still confidently guiding Enamore in a post-hardcore feel that breathes post- screamo-spiced rock. This time, Enamore did not only produce the drums at Haum Studio, but also at Virtuoso Studio for recording drums and mixed and mastered by Armando Aprilson Loekito from Artifact Studio. The songwriting this time was assisted again by Iqbal AR, who also previously wrote the old track of Enamore entitled Harapan Sirna, combining literary language with stanzas which mostly consist of 3-4 words of poetic rhythm. Enamore also includes a choir part to add grandeur and poignancy to this song soaked with both pain and inevitable severing.

Sandikala is not just a story that tells about sunset and its association with romance. In Sandikala, Enamore is trying to approach the sunset moment with melancholic and depressive state. Sandikala masterfully lead its audience from the reddish yellow strokes on the western horizon, from a slow stretch of hope to the darkness of the night. Sandikala is about the willingness to let go of the light before it gets dark, Sandikala is the willingness to let go of what was once moored. The shift in time marked with red streaks is not always about beauty and serenity. Embedded in it rage and uncertainty. Does the dark always blind, or even give way? Because light often gives rise to hope, and darkness will come to erase it, giving him regret. Pausing for a moment under the reddish yellow sky, looking at Sandikala, the crossroads between darkness and light, then asks: is willingness the way? Is willingness a necessity? Is there still room to embrace hope?